Outdoor Pine Raised Panel Shutters

• 

  Straight Top Shutters

  Straight top shutters are manufactured with a square horizontal top.

  Rail sizes are displayed in the “Dimensions” area on the main order page.

• 

  Arch Top Shutters

  Arch top shutters are made with a curved top.

  The specified shutter height is the dimension of the long vertical edge of the shutter.

  The required springline is the measurement from the top of the shutter down to the start of the arch.

  More about arch top shutters

• 

  No Divider Rail

  • Configuration allowable when the shutter is shorter than 70″
  • The “No” divider rail button becomes unavailable on the order page when height is greater than or equal to 70″
• 

  One Divider Rail

  • Measure from the bottom of the shutter to the desired center of the divider rail*
  • Optional when the shutter is shorter than 70″
  • Required if height is greater than or equal to 70″
  • Divider rail size is displayed under “Specifications” on the main order page

  * The actual location of the divider rail may be slightly higher or lower than requested. The number of louvers will dictate the final placement.

• 

  Two Divider Rails

  • Measure from the bottom of the shutter to the desired center of the first divider rail*
  • Then, measure from the bottom of the shutter to the desired center of the second divider rail*
  • Divider rail size is displayed under “Specifications” on the main order page

  * The actual location of the divider rails may be slightly higher or lower than requested. The number of louvers will dictate the final placement.

Measure Wood Shutters

• 

  1.75" Louvers (Standard)

  • 1.75″ wide
  • 0.25″ thick
  • Length 4.25″ less than shutter width
  • Spaced on 1.75″ centers
  • 0.1875″ between louvers
  • Fixed 17° angle – do not rotate
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section
• 

  1.5" Louvers

  • 1.5″ wide
  • 0.25″ thick
  • Length 4.25″ less than shutter width
  • Spaced on 1.5″ centers
  • 0.1875″ between louvers
  • Fixed 17° angle – do not rotate
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section
  • Adds $25 per shutter

• 

  Faux Tilt Bar

  A tilt bar is a narrow vertical wood rod that interconnects a group of horizontal louvers. A tilt bar used in conjunction with movable louvers unifies the slats and allows them to rotate at one time. Louvers on ShutterLand premium wood louvers are fixed in position and do not rotate. A faux tilt bar can be attached to replicate the appearance of movable louvers, usually for historical purposes. Selection of a tilt bar adds $40 to the price of each shutter.

  Most exterior shutter applications do not require a tilt bar.

• 

  Faux Tilt Bar - Shutter With a Divider Rail

  If a divider rail is employed, the tilt bar can be added to all louver sections or only added to one section.

  After incorporating a tilt bar, it is necessary to establish if the tilt bar will be applied to all louvers and if the louvers will be in an up or down position.

• 

  Faux Tilt Bar - Louvers Down

  The tilt bar can be attached on the side of the shutter with the louvers in a down position.

• 

  Faux Tilt Bar - Louvers Up

  The tilt bar can be attached on the side of the shutter with the louvers in an up position.

• 

  Red Grandis

  Red Grandis is a nearly perfect high quality hardwood to manufacture exceptional exterior shutters. It has straight tight grain and minimal knotting, resulting in a consistently smooth texture. The fibers are relatively uniform in color with variations from light pink to dark red, and accept paint or stain well. Red Grandis is dimensionally stable and extremely strong.

• 

  Cedar

  Cedar is the most common and recognizable tree species for the construction of outdoor shutters. This aromatic timber is resistant to both insects and decay. Cedar has condensed grain with few knots, resulting in straight handsome shutters with tones of red, brown, and tan. Cedar paints and stain well.

• 

  Mahogany

  Mahogany has a compact grain with a rich, warm, reddish-brown hue. Mahogany shutters are strong, sturdy, and moisture resistant. Mahogany is relatively easy to finish and is heavier than other woods offered.

• 

  Tilt Bar

  A tilt bar is a narrow vertical wood rod that interconnects a group of horizontal louvers. A tilt bar used in conjunction with movable louvers unifies the slats and allows them to rotate at one time. Louvers on ShutterLand wood louvers are fixed in position and do not rotate. A faux tilt bar can be attached to replicate the appearance of movable louvers, usually for historical purposes. Selection of a tilt bar adds $40 to the price of each shutter.

  Most exterior shutter applications do not require a tilt bar.

  If a divider rail is employed, the tilt bar can be added to all louver sections or only added to one section.

  After incorporating a tilt bar, it is necessary to establish if the tilt bar will be applied to all louvers and if the louvers will be in an up or down position.

• 

  Faux Tilt Bar - Louvers Down

  The tilt bar can be attached on the side of the shutter with the louvers in a down position.

• 

  Faux Tilt Bar - Louvers Up

  The tilt bar can be attached on the side of the shutter with the louvers in an up position.

• 

  Pine Wood Louvers

  • 1.75″ wide
  • 0.25″ thick
  • Length 4.25″ less than shutter width
  • Spaced on 1.75″ centers
  • 0.1875″ between louvers
  • Fixed 17° angle – do not rotate
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section

  ShutterLand’s manufacturing process has been streamlined to keep costs and manufacturing time at a minimum. Therefore, we do not deviate from this louver size.

• 

  Southern Yellow Pine

  Southern Yellow Pine is the most affordable solid wood option. This wood has a beautiful golden color with a distinct wood grain pattern that is 99.9% knot free.  It is kiln-dried to minimum moisture content and cut to 1″ thick shutters. The joints between stiles and rails are glued, doweled, and screwed for ultimate strength.

  Southern Yellow Pine shutters are considered entry-level, or builder grade, with lower performance standards compared to 1.5″ thick premium wood shutters.

  Read more

Measure Composite Shutters

• 

  1.75" Composite Louvers (Standard)

  • 1.75″ visible surface area (see illustration)
  • Length 5″ less than shutter width
  • Louver sections made in one piece (not separate, individual louvers)
  • No space between louvers
  • Fixed down at 10° angle
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section
• 

  1" Composite Louvers

  • 1″ visible surface area (see illustration)
  • Length 5″ less than shutter width
  • Louver sections made in one piece (not separate, individual louvers)
  • No space between louvers
  • Fixed down at 20° angle
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section
  • Adds $15 per shutter

• 

  Faux Tilt Bar

  A tilt bar is a narrow vertical wood rod that interconnects a group of horizontal louvers. A tilt bar used in conjunction with movable louvers unifies the slats and allows them to rotate at one time. Louvers on ShutterLand composite louvers are fixed in position and do not rotate. A faux tilt bar can be attached to replicate the appearance of movable louvers, usually for historical purposes. Selection of a tilt bar adds $40 to the price of each shutter.

  Most exterior shutter applications do not require a tilt bar.

  After incorporating a tilt bar, it is necessary to establish if the tilt bar will be applied to all louvers and if the louvers will be in an up or down position.

• 

  Faux Tilt Bar - Louvers Down

  Louvers can positioned in a down position.

  This position is recommended because the louvers shed moisture.

• 

  Faux Tilt Bar - Louvers Up

  Louvers can positioned in a up position. This is not a standard option and can ordered only by special request.

  Up oriented louvers are not recommend because there is no space between the louvers resulting in a potential for water to reside in the grooves which may shorten the lifespan of the shutters.

   

• 

  Composite Shutters

  ShutterLand composite shutters are constructed from Extira. The material is manufactured from sustainable wood fibers and marine-grade resins to form large 1.25″ thick solid straight sheets. Individual components are then milled and fabricated into custom shutters. Extira is designed for outdoor applications where humidity and moisture varies. It is strong and resilient with a long projected life.

  Read more

• 

  Unfinished - Paint Grade

  Unfinished shutters are raw with no finish applied. All surfaces are thoroughly sanded. Small blemishes are repaired with wood filler, which will arrive sanded smooth and ready to finish. Filled areas will not diminish the integrity of the shutter or show through the paint. Priming is recommended to seal the grain and support paint adhesion.

• 

  Unfinished - Stain Grade

  Unfinished shutters are raw with no finish applied. All surfaces are thoroughly sanded. Wood is selected for a relatively uniform grain. Minor blemishes (if any) are repaired with stainable wood filler, which will arrive sanded smooth and ready to finish. Filled areas will not diminish the integrity or appearance of the shutter.

• 

  Primed

  Primed shutters are sprayed with Benjamin Moore Aqua Lock Plus acrylic water-based universal primer / sealer. This primer provides complete coverage to seal the porous raw surface, block stains and prevent bleed-through. The medium gray primed surface will need to be sanded with 220 grit sandpaper and wiped clear of dust before painting.

• 

  Standard Paint Colors

  Select from 9 standard paint colors. Painted exterior shutters are sanded, primed, sanded, and sprayed with two ultra-durable, water-borne commercial-grade Benjamin Moore Corotech COMMAND acrylic top coats. The factory applied paint covers all surfaces in a smooth satin sheen finish.

• 

  Custom Paint Colors

  Choose a custom paint color for a one-time amount of $200 to match the color (NOT per shutter). Provide the paint manufacturer, color name, and color code to match. Or, a color chip or physical sample may be mailed to match.

  Painted exterior shutters are sanded, primed, sanded, and sprayed with two ultra-durable, water-borne commercial-grade Benjamin Moore Corotech COMMAND acrylic top coats. The factory applied paint covers all surfaces in a smooth satin sheen finish.

  Read more

• 

  Straight Top Shutters

  Straight top shutters are manufactured with a square horizontal top.

  Rail sizes are displayed in the “Dimensions” area on the main order page.

• 

  Arch Top Shutters

  Arch top shutters are made with a curved top.

  The specified shutter height is the dimension of the long vertical edge of the shutter.

  The required springline is the measurement from the top of the shutter down to the start of the arch.

  More about arch top shutters

• 

  No Divider Rail

  • Configuration allowable when the shutter is shorter than 70″
  • The “No” divider rail button becomes unavailable on the order page when height is greater than or equal to 70″
  • The raised panel section is composite
• 

  One Divider Rail

  • Measure from the bottom of the shutter to the desired center of the divider rail
  • Optional when the shutter is shorter than 70″
  • Required if height is greater than or equal to 70″
  • Divider rail size is displayed under “Specifications” on the main order page
  • The raised panel sections are composite
• 

  Two Divider Rails

  • Measure from the bottom of the shutter to the desired center of the first divider rail
  • Then, measure from the bottom of the shutter to the desired center of the second divider rail
  • Divider rail size is displayed under “Specifications” on the main order page
  • The raised panel sections are composite

• 

  Unfinished - Paint Grade

  Unfinished shutters are raw with no finish applied. All surfaces are thoroughly sanded. Small blemishes are repaired with wood filler, which will arrive sanded smooth and ready to finish. Filled areas will not diminish the integrity of the shutter or show through the paint. Priming is recommended to seal the grain and support paint adhesion. Solid panel areas are composite and cannot be stained.

• 

  Primed

  Primed shutters are sprayed with Benjamin Moore Aqua Lock Plus acrylic water-based universal primer / sealer. This primer provides complete coverage to seal the porous raw surface, block stains and prevent bleed-through. The medium gray primed surface will need to be sanded with 220 grit sandpaper and wiped clear of dust before painting.

• 

  Standard Paint Colors

  Select from 9 standard paint colors. Painted exterior shutters are sanded, primed, sanded, and sprayed with two ultra-durable, water-borne commercial-grade Benjamin Moore Corotech COMMAND acrylic top coats. The factory applied paint covers all surfaces in a smooth satin sheen finish.

• 

  Custom Paint Colors

  Choose a custom paint color for a one-time amount of $200 to match the color (NOT per shutter). Provide the paint manufacturer, color name, and color code to match. Or, a color chip or physical sample may be mailed to match.

  Painted exterior shutters are sanded, primed, sanded, and sprayed with two ultra-durable, water-borne commercial-grade Benjamin Moore Corotech COMMAND acrylic top coats. The factory applied paint covers all surfaces in a smooth satin sheen finish.

  Read more

• 

  Unfinished - Paint Grade

  Unfinished shutters are raw with no finish applied. All surfaces are sanded, ready to be primed. Priming is recommended to seal the material and support paint adhesion. Extira composite cannot be stained.

• 

  Primed

  Primed shutters are sprayed with Benjamin Moore Aqua Lock Plus acrylic water-based universal primer / sealer. This primer provides complete coverage to seal the porous raw surface and block stains. The medium gray primed surface will need to be sanded with 220 grit sandpaper and wiped clear of dust before painting.

• 

  Standard Paint Colors

  Select from 9 standard paint colors. Painted exterior shutters are sanded, primed, sanded, and sprayed with two ultra-durable, water-borne commercial-grade Benjamin Moore Corotech COMMAND acrylic top coats. The factory applied paint covers all surfaces in a satin sheen finish.

• 

  Custom Paint Colors

  Choose a custom paint color for a one-time amount of $200 to match the color (NOT per shutter). Provide the paint manufacturer, color name, and color code to match. Or, a color chip or physical sample may be mailed to match.

  Painted exterior shutters are sanded, primed, sanded, and sprayed with two ultra-durable, water-borne commercial-grade Benjamin Moore Corotech COMMAND acrylic top coats. The factory applied paint covers all surfaces in a smooth satin sheen finish.

  Read more

Standard Paint Colors

• 
  White
• 
  Charcoal Slate
• 
  Black
• 
  Black Forest Green
• 
  Chrome Green
• 
  Hamilton Blue
• 
  Country Redwood
• 
  Cottage Red
• 
  Tudor Brown

• 

  Unfinished - Paint Grade

  Unfinished shutters are raw with no finish applied. All surfaces are thoroughly sanded. Small blemishes are repaired with wood filler, which will arrive sanded smooth and ready to finish. Filled areas will not diminish the integrity of the shutter or show through the paint. Priming is recommended to seal the grain and support paint adhesion.

• 

  Unfinished - Stain Grade

  Unfinished shutters are raw with no finish applied. All surfaces are thoroughly sanded. Wood is selected for a relatively uniform grain. Minor blemishes (if any) are repaired with stainable wood filler, which will arrive sanded smooth and ready to finish. Filled areas will not diminish the integrity or appearance of the shutter.

• 

  Primed

  Primed shutters are sprayed with Benjamin Moore Aqua Lock Plus acrylic water-based universal primer / sealer. This primer provides complete coverage to seal the porous raw surface, block stains and prevent bleed-through. The medium gray primed surface will need to be sanded with 220 grit sandpaper and wiped clear of dust before painting.

• 

  Standard Paint Colors

  Select from 9 standard paint colors. Painted exterior shutters are sanded, primed, sanded, and sprayed with two ultra-durable, water-borne commercial-grade Benjamin Moore Corotech COMMAND acrylic top coats. The factory applied paint covers all surfaces in a smooth satin sheen finish.

• 

  Custom Paint Colors

  Choose a custom paint color for a one-time amount of $200 to match the color (NOT per shutter). Provide the paint manufacturer, color name, and color code to match. Or, a color chip or physical sample may be mailed to match.

  Painted exterior shutters are sanded, primed, sanded, and sprayed with two ultra-durable, water-borne commercial-grade Benjamin Moore Corotech COMMAND acrylic top coats. The factory applied paint covers all surfaces in a smooth satin sheen finish.

  Read more

• 

  Straight Top

  Straight top shutters have a standard horizontal top rail.

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  Cathedral Top

  A cathedral top is made with a small arc at the bottom of the top rail.

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  Arch Top 1:1 Drop

  The arch of a 1:1 drop is equal to the width. So, the measurement from the top of the shutter down to the start of the arch is the same as the shutter width.

  A pair of arch top shutters includes one shutter with the arch on the left side and one with the arch on the right.

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  Arch Top Custom Drop

  A custom arch requires a springline measurement.

  Springline – the dimension from the top of the shutter down to the start of the arch.

  A pair of arch top shutters includes one shutter with the arch on the left side and one with the arch on the right.

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  Shutter Screws

  Shutter screws are best used to install vinyl shutters to wood siding. The screw heads are painted to match the shutter color.

  Shutters are not pre-drilled.

• 

  Shutter Spikes

  Vinyl shutter spikes are designed to secure shutters to most surfaces. Screws are usually better for installing to wood. Scales, or ridges, of the shutter spike hold the apparatus in position. They are color coordinated to match the shutters.

  Shutters are not pre-drilled.

  How to Install Vinyl Shutters

Vinyl Louvered Shutter Configurations

• 

  #1

  100% louvers top to bottom

  At least one divider rail is required when the shutter height is equal to or greater than 55″. This option becomes unavailable when the height selected exceeds 54.75″.

  The illustration depicts only the stiles and rails.
  Louvers fill the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #2

  One centered divider rail

  50% louver above
  50% louver below

  The illustration depicts only the stiles and rails.
  Louvers fill the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #3

  Two divider rails

  33% louver at top
  33% louver at center
  33% louver at bottom

  The illustration depicts only the stiles and rails.
  Louvers fill the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #4

  Two divider rails

  20% louvers at top
  60% louvers at center
  20% louvers at bottom

  The illustration depicts only the stiles and rails.
  Louvers fill the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #5

  One divider rail

  60% louvers above
  40% louvers below

  The illustration depicts only the stiles and rails.
  Louvers fill the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #6

  Three divider rails

  25% louvers at top
  25% louvers at center
  25% louvers at center
  25% louvers at bottom

  The illustration depicts only the stiles and rails.
  Louvers fill the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #7

  One divider rail

  40% louvers above
  60% louvers below

  The illustration depicts only the stiles and rails.
  Louvers fill the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #8

  Two divider rails

  20% louvers at top
  40% louvers at center
  40% louvers at bottom

  The illustration depicts only the stiles and rails.
  Louvers fill the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #9

  One divider rail

  20% louvers above
  80% louvers below

  The illustration depicts only the stiles and rails.
  Louvers fill the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #10

  Two divider rails

  40% louvers at top
  20% louvers at center
  40% louvers at bottom

  The illustration depicts only the stiles and rails.
  Louvers fill the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  Shutter Screws

  Shutter screws are included to install board and batten vinyl shutters. The screw heads are painted to match the shutter color.

  Shutter spikes are not long enough to extend through both the board and batten.

  Shutters are not pre-drilled.

• 

  No Divider Rail

  • Configuration allowable when the shutter is shorter than 70″
  • The “No” divider rail button becomes unavailable on the order page when height is greater than or equal to 70″
  • The solid panel section is composite
• 

  One Divider Rail

  • Measure from the bottom of the shutter to the desired center of the divider rail
  • Optional when the shutter is shorter than 70″
  • Required if height is greater than or equal to 70″
  • Divider rail size is displayed under “Specifications” on the main order page
  • The solid panel sections are composite
• 

  Two Divider Rails

  • Measure from the bottom of the shutter to the desired center of the first divider rail
  • Then, measure from the bottom of the shutter to the desired center of the second divider rail
  • Divider rail size is displayed under “Specifications” on the main order page
  • The solid panel sections are composite

• 

  Flat Panel

  Flat panel shutters are constructed with a central even surface with no detail. The solid flat panel section is composite.

• 

  Grooved Shaker Panel

  Shaker panel shutters are fabricated with vertical grooves cut into the central surface. The solid grooved panel section is composite. The number of  grooves is based on the shutter width.

  Vertical grooves:
  2 grooves for shutter widths 12” to 17 ¾”
  3 grooves for shutter widths 18” to 23 ¾”
  4 grooves for shutter widths 24” to 31 ¾”
  5 grooves for shutter widths 32” to 39 ¾”
  6 grooves for shutter widths 40” to 45”

• 

  Divider Rail

  A horizontal divider rail is necessary to separate the top section of a combination shutter from the bottom. The solid panel section is composite.

  • Measure from the bottom of the shutter to the desired center of the divider rail
  • Divider rail size is displayed under “Specifications” on the main order page

• 

  Straight Top Shutters

  Straight top shutters are manufactured with a square horizontal top.

• 

  Arch Top Shutters

  Arch top shutters are made with a curved top.

  The specified shutter height is the dimension of the long vertical edge of the shutter.

  The required springline is the measurement from the top of the shutter down to the start of the arch.

  More about arch top shutters

Measure Composite Shutters

Measure Wood Board & Batten Shutters

• 

  Vertical Boards

  The number of  boards is based on the shutter width.

  3 boards for widths 12” to 17 ¾”
  4 boards for widths 18” to 23 ¾”
  5 boards for widths 24” to 31 ¾”
  6 boards for widths 32” to 39 ¾”
  7 boards for widths 40” to 48”

Measure Composite Board & Batten Shutters

• 

  Vertical Boards

  The illusion of boards is created with vertical grooves cut into the once piece composite sheet. The number of boards is based on the shutter width.

  3 boards for widths 12” to 17 ¾”
  4 boards for widths 18” to 23 ¾”
  5 boards for widths 24” to 31 ¾”
  6 boards for widths 32” to 39 ¾”
  7 boards for widths 40” to 48”

• 

  Two Horizontal Battens

  Top batten placed 7” below top of shutter

  Bottom batten placed 7” above bottom of shutter

  Battens 3.5″ in height
  Width 0.75” less than shutter

  Configuration optional when shutter height less than 55″. A third batten is required when the shutter height is equal to or greater than 55″.

  (The two batten option will become unavailable on the order page)

• 

  Three Horizontal Battens

  Top batten placed 7” below top of shutter

  Batten placed at center

  Bottom batten placed 7” above bottom of shutter

  Battens 3.5″ in height
  Width 0.75” less than shutter

• 

  Four Horizontal Battens

  Top batten placed 7” below top of shutter

  Two battens equally spaced between top and bottom

  Bottom batten placed 7” above bottom of shutter

  Battens 3.5″ in height
  Width 0.75” less than shutter

• 

  Z-pattern

  Top batten placed 7” below top of shutter

  Batten placed at diagonal from bottom right of top batten to top left of bottom batten

  Bottom batten placed 7” above bottom of shutter

  Battens 3.5″ in height
  Width 0.75” less than shutter

• 

  Reverse Z-pattern

  Top batten placed 7” below top of shutter

  Batten placed at diagonal from bottom left of top batten to top right of bottom batten

  Bottom batten placed 7” above bottom of shutter

  Battens 3.5″ in height
  Width 0.75” less than shutter

• 

  1.75" Louvers (Standard)

  • 1.75″ wide
  • 0.25″ thick
  • Length 4.25″ less than shutter width
  • Spaced on 1.75″ centers
  • Space between louvers
  • Fixed 40° angle – do not rotate
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section
  • Slotted in 1.5″ side stiles
• 

  1.5" Louvers

  • 1.5″ wide
  • 0.25″ thick
  • Length 4.25″ less than shutter width
  • Spaced on 1.5″ centers
  • Space between louvers
  • Fixed 40° angle – do not rotate
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section
  • Slotted in 1.5″ side stiles
  • Adds $25 per shutter

• 

  No Sub-Stile

  Shutter Width: 15″ – 27″

  If the shutter width exceeds 23″, all stile sizes will increase incrementally up to 4”. Select a greater number of sub-stiles to keep stiles at standard 2.125″.

  (Option automatically removed from the order page if shutter width is outside of these parameters)

• 

  One Sub-Stile

  Shutter Width: 24.25″ – 50″

  If the shutter width exceeds 44″, all stile sizes will increase incrementally up to 4”. Select a greater number of sub-stiles to keep stiles at standard 2.125″.

  (Option automatically removed from the order page if shutter width is outside of these parameters)

• 

  Two Sub-Stiles

  Shutter Width: 36.25″ – 73″

  If the shutter width exceeds 65″, all stile sizes will increase incrementally up to 4”. Select a greater number of sub-stiles to keep stiles at standard 2.125″.

  (Option automatically removed from the order page if shutter width is outside of these parameters)

• 

  Three Sub-Stiles

  Shutter Width: 48.25″ – 85″

  (Option automatically removed from the order page if shutter width is outside of these parameters)

• 

  Four Sub-Stiles

  Shutter Width: 60.25″ – 85″

  (Option automatically removed from the order page if shutter width is outside of these parameters)

• 

  Measure Bahama Shutters

  Bahama shutters install to the top of a window with functional hinges and extend away from the building at the bottom with shutter stays. The shutter can nest inside of a window opening with sufficient depth or sit just proud of the trim. Most Bahama shutters cover the full height of the window, while others are shorter and serve as a canopy over the top portion.

  Full Measuring Instructions

• 

  No Gap Between Boards

  Boards arranged tight together

• 

  Gap Between Boards

  Arranged with 1/4 inch gap between boards

  Gap does not affect the specified shutter width

• 

  Single Wide Shutter Width

  Single Wide shutters have one vertical bank of louvers. They are available in 7 set widths.

  Suggested shutter widths based on window size:

  Window Width	Single Wide Shutter Width
  16″ or smaller	7″
  17″ – 22″	9″ or 10″
  23″ – 31″	12″ or 14.5″
  32″ – 40″	14.5″, 16.25″ or 17.75″

• 

  Double Wide Shutter Widths

  Double Wide vinyl shutters are made with a center vertical style for support that creates left and right louver areas. They are available in 8 widths.

  Suggested shutter widths based on window size:

  Window Width	Double Wide Shutter Width
  23″ – 31″	13″
  32″ – 40″	14.875″ or 19″
  41″ – 45″	19″ or 20.875″
  46″ – 53″	23.875″ or 25.75″
  54″ +	27.5″ or 29″

• 

  Shutter Height

  20 – 97″ in ¼″ increments

• 

  Vinyl Shutters

  Vinyl shutters in the 19 standard colors are constructed from Polypropylene. The color is molded through the material and shutters arrive ready to install. Polypropylene cannot be painted. The paintable finish shutters are fabricated from Polystyrene and are translucent opal in color.

  All vinyl shutters have a wood grain textured surface. Vinyl shutters are constructed in the form of a shell, with four sides, a front and a hollow back. The panels can feel flimsy right out of the box and may not have the rigidity one expects from wood or composite shutters. They gain great strength and stability when they are attached to the building.

• 

  Vinyl Shutters

  Vinyl shutters in the 19 standard colors are constructed from Polypropylene. The color is molded through the material and arrive ready to install. Polypropylene cannot be painted. The paintable finish shutters are fabricated from Polystyrene and are translucent opal in color.

  All vinyl shutters have a wood grain textured surface. Vinyl shutters are are constructed in the form of a shell, with four sides, a front and a hollow back. The panels can feel flimsy right out of the box and may not have the rigidity one expects from wood or composite shutters. They gain great strength and stability when they are attached to the building.

• 
  White #001
• 
  Black #002
• 
  Bedford Blue #004
• 
  Brick Red #005
• 
  Dark Grey #007
• 
  Colonial Blue #008
• 
  Pine Green #009
• 
  Sandalwood #011
• 
  Bronze #018
• 
  Sage #020
• 
  Ebony Green #021
• 
  Sienna Brown #025
• 
  Potters Clay #200
• 
  Chocolate Chip #206
• 
  Lunar Blue #208
• 
  Burgundy #260
• 
  Heritage Green #331
• 
  Dove Grey #352
• 
  Cranberry #613

• 

  Single Wide Shutter Width

  Single Wide shutters are available in 7 set widths.

  Suggested shutter widths based on window size:

  Window Width	Single Wide Shutter Width
  16″ or smaller	7″
  17″ – 22″	9″ or 10″
  23″ – 31″	12″ or 14.5″
  32″ – 40″	14.5″, 16.25″ or 17.75″

• 

  Double Wide Shutter Widths

  Double Wide vinyl shutters are made with  a center vertical style for support that creates left and right raised panel areas. They are available in 8 widths.

  Suggested shutter widths based on window size:

  Window Width	Double Wide Shutter Width
  23″ – 31″	13″
  32″ – 40″	14.875″ or 19″
  41″ – 45″	19″ or 20.875″
  46″ – 53″	23.875″ or 25.75″
  54″ +	27.5″ or 29″

• 

  Shutter Height

  20 – 97″ in ¼″ increments

• 

  Single Wide Shutter Width

  Single Wide shutters are available in 7 set widths.

  Suggested shutter widths based on window size:

  Window Width	Single Wide Shutter Width
  16″ or smaller	7″
  17″ – 22″	9″ or 10″
  23″ – 31″	12″ or 14.5″
  32″ – 40″	14.5″, 16.25″ or 17.75″

• 

  Double Wide Shutter Widths

  Double Wide vinyl shutters are made with  a center vertical style for support that creates left and right areas. They are available in 8 widths.

  Suggested shutter widths based on window size:

  Window Width	Double Wide Shutter Width
  23″ – 31″	13″
  32″ – 40″	14.875″ or 19″
  41″ – 45″	19″ or 20.875″
  46″ – 53″	23.875″ or 25.75″
  54″ +	27.5″ or 29″

• 

  Shutter Height

  20 – 97″ in ¼″ increments

• 

  Rectangular Straight Top

  Straight top shutters have a standard horizontal top rail.

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  Eyebrow Top

  Eyebrow top shutters are made with a slight curve in the top from the high side of the shutter down to the opposite side. Select from either a 1″, 2″ or 3″ drop. The drop (also called the springline) is the measurement from the top of the shutter down to the start of the curve. The shape of the raised panel area will remain rectangular.

  A pair of eyebrow top shutters includes one shutter with the drop on the left side and one with the drop on the right.

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

Vinyl Raised Panel Shutter Configurations

• 

  #1

  100% raised panel top to bottom

  At least one divider rail is required when the shutter height is equal to or greater than 55″. This option becomes unavailable when the height selected exceeds 54.75″.

  The illustration depicts only the stiles and rails.
  A raised panel fills the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #2

  One centered divider rail

  50% raised panel above
  50% raised panel below

  The illustration depicts only the stiles and rails.
  A raised panel fills the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #3

  Two divider rails

  33% raised panel at top
  33% raised panel at center
  33% raised panel at bottom

  The illustration depicts only the stiles and rails.
  A raised panel fills the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #4

  Two divider rails

  20% raised panel at top
  60% raised panel at center
  20% raised panel at bottom

  The illustration depicts only the stiles and rails.
  A raised panel fills the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #5

  One divider rail

  60% raised panel above
  40% raised panel below

  The illustration depicts only the stiles and rails.
  A raised panel fills the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #6

  Three divider rails

  25% raised panel at top
  25% raised panel at center
  25% raised panel at center
  25% raised panel at bottom

  The illustration depicts only the stiles and rails.
  A raised panel fills the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #7

  One divider rail

  40% raised panel above
  60% raised panel below

  The illustration depicts only the stiles and rails.
  A raised panel fills the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #8

  Two divider rails

  20% raised panel at top
  40% raised panel at center
  40% raised panel at bottom

  The illustration depicts only the stiles and rails.
  A raised panel fills the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #9

  One divider rail

  20% raised panel above
  80% raised panel below

  The illustration depicts only the stiles and rails.
  A raised panel fills the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #10

  Two divider rails

  40% raised panel at top
  20% raised panel at center
  40% raised panel at bottom

  The illustration depicts only the stiles and rails.
  A raised panel fills the open area.
  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  Rectangular Straight Top

  Straight top shutters have a standard horizontal top rail.

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  Eyebrow Top

  Eyebrow top shutters are made with a slight curve in the top from the high side of the shutter down to the opposite side. Select from either a 1″, 2″ or 3″ drop. The drop is the measurement from the top of the shutter down to the start of the curve. The shape of the top raised panel or louver area will remain rectangular.

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  Vinyl Shutters

  Vinyl shutters in the 19 standard colors are constructed from Polypropylene. The color is molded through the material and arrive ready to install. Polypropylene cannot be painted. The paintable finish shutters are fabricated from Polystyrene and are translucent opal in color.

  All vinyl shutters have a wood grain textured surface. Vinyl shutters are are constructed in the form of a shell, with four sides, a front and a hollow back. The panels can feel flimsy right out of the box and may not have the rigidity one expects from wood or composite shutters. They gain great strength and stability when they are attached to the building.

Vinyl Combo Shutter Configurations

• 

  #101

  One centered divider rail

  50% raised panel above
  50% louvered below

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #105

  Two divider rails

  33% louvers at top
  33% raised panel at center
  33% louvers at bottom

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #107

  Three divider rails

  25% louvers at top
  25% raised panel at center
  25% louvers at center
  25% raised panel at bottom

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #109

  One divider rail

  50% louvered above
  50% raised panel below

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #112

  Two divider rails

  33% raised panel at top
  33% louvered center
  33% raised panel at bottom

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  #115

  Two divider rails

  20% louvers at top
  60% raised panel at center
  20% louvered at bottom

  *Image represents single wide shutters, double wide shutter have a vertical sub-stile.

• 

  Closed Weave Shutter Size

  Board & Batten closed weave shutters are available in seven fixed widths. The individual board widths are 3.375″.

  2 boards: 6.875″
  3 boards: 10.25″
  4 boards: 13.875″
  5 boards: 17.25″
  6 boards: 20.75″
  7 boards: 23.875″
  8 boards: 27.25″

  Height: 20 – 97″ in 0.25″ increments

• 

  Open Weave Shutter Size

  Board & Batten open weave shutters are available in seven fixed widths. The individual board widths are 3.375″ with a 0.75″ – 0.875″ gap between boards.

  2 boards: 7.625″
  3 boards: 12″
  4 boards: 16″
  5 boards: 20″
  6 boards: 24.375″
  7 boards: 28.625″
  8 boards: 33″

  Height: 20 – 97″ in 0.25″ increments

Vinyl Board & Batten Shutter Configurations

• 

  #1

  2 battens (each 3.375″ in height)

  Top batten below the top of the shutter*
  Bottom batten above the bottom of the shutter*

• 

  #2

  3 battens (each 3.375″ in height)

  Top batten below the top of the shutter*
  50% space
  Center batten
  50% space
  Bottom batten above the bottom of the shutter*

• 

  #3

  4 battens (each 3.375″ in height)

  Top batten below the top of the shutter*
  33% space
  Center batten
  33% space
  Center batten
  33% space
  Bottom batten above the bottom of the shutter*

• 

  #4

  4 battens (each 3.375″ in height)

  Top batten below the top of the shutter*
  20% space
  Center batten
  60% space
  Center batten
  20%
  Bottom batten above the bottom of the shutter*

• 

  #5

  3 battens (each 3.375″ in height)

  Top batten below the top of the shutter*
  60% space
  Center batten
  40% space
  Bottom batten above the bottom of the shutter*

• 

  #6

  5 battens (each 3.375″ in height)

  Top batten below the top of the shutter*
  25% space
  Center batten
  25% space
  Center batten
  25% space
  Center batten
  25% space
  Bottom batten above the bottom of the shutter*

• 

  #7

  3 battens (each 3.375″ in height)

  Top batten below the top of the shutter*
  40% space
  Center batten
  60% space
  Bottom batten above the bottom of the shutter*

• 

  #8

  4 battens (each 3.375″ in height)

  Top batten below the top of the shutter*
  20% space
  Center batten
  40% space
  Center batten
  40% space
  Bottom batten above the bottom of the shutter*

• 

  #9

  3 battens (each 3.375″ in height)

  Top batten below the top of the shutter*
  20% space
  Center batten
  80% space
  Bottom batten above the bottom of the shutter*

• 

  #10

  4 battens (each 3.375″ in height)

  Top batten below the top of the shutter*
  40% space
  Center batten
  20% space
  Center batten
  40% space
  Bottom batten above the bottom of the shutter*

• 

  #11

  2 horizontal battens*
  & 1 diagonal batten forming a z or reverse-z
  (each 3.375″ in height)

  Pair includes one z-pattern shutter and one reverse z-pattern shutter

• 

  #12

  3 battens (each 3.375″ in height)

  Top batten at top edge of shutter
  50% space
  Center batten
  50% space
  Bottom batten at bottom edge of shutter

• 

  #13

  2 horizontal battens
  & 2 diagonal batten forming an x
  (each 3.375″ in height)

  Top batten positioned at top edge and bottom batten at bottom edge

• 

  #14

  2 battens (each 3.375″ in height)
  Battens are positioned in relation to the shortest board*

  Boards are of various heights.

  The shutter height is the length of the longest board. The next board in succession is 3” shorter than the previous. The bottom of all boards are even. The pattern repeats for all boards.

  Pair includes one left shutter and one right shutter

• 

  #16

  4 battens (each 3.375″ in height)

  Top batten at top edge of shutter
  33% space
  Center batten
  33% space
  Center batten
  33% space
  Bottom batten at bottom edge of shutter

• 

  #17

  2 battens (each 3.375″ in height)

  Top batten at top edge of shutter
  Bottom batten at Bottom edge of shutter

• 

  #18

  2 battens (each 3.375″ in height)
  Battens are positioned in relation to the shortest board*

  Boards are two heights.

  The shutter height is the length of the longest board. Shorter boards are 3” shorter at the top and 3″ shorter at the bottom than the longer boards, which are vertically centered. The pattern repeats for all boards.

• 

  #19

  6 battens (each 3.375″ in height)

  Top batten at top edge of shutter
  20% space
  Center batten
  20% space
  Center batten
  20% space
  Center batten
  20% space
  Center batten
  20% space
  Bottom batten at bottom edge of shutter

• 

  #21

  2 battens (each 3.375″ in height)
  Battens are positioned in relation to the shortest board*

  Boards are of various heights.

  The shutter height is the length of the longest board. The next board in succession is 3” shorter than the previous. The bottom of all boards are even. The pattern repeats for all boards.

• 

  #22

  2 battens (each 3.375″ in height)
  Battens are positioned in relation to the shortest board*

  The shutter height is the length of the longest board located at center. The two boards on either side are 6” shorter and centered.

  This style is only for 3 boards across.

• 

  Vinyl Shutters

  Vinyl shutters in the 19 standard colors are constructed from Polypropylene. The color is molded through the material and arrive ready to install. Polypropylene cannot be painted. The paintable finish shutters are fabricated from Polystyrene and are a translucent opal in color.

  All vinyl shutters have a wood grain textured surface. Both boards and battens are are constructed in the form of a shell, with four sides, a front and a hollow back (shown at left). Both the boards and battens have a cap at either end of the component. The panels can feel flimsy right out of the box and may not have the rigidity one expects from wood or composite shutters. They gain great strength and stability when they are attached to the building.

• 

  1.75" Louvers (Standard)

  • 1.75″ wide (see illustration)
  • 0.25″ thick
  • Length 4.25″ less than shutter width
  • Spaced on 1.75″ centers
  • 0.1875″ between louvers
  • Fixed 17° angle – do not rotate
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section
• 

  1.5" Louvers

  • 1.5″ wide (see illustration)
  • 0.25″ thick
  • Length 4.25″ less than shutter width
  • Spaced on 1.5″ centers
  • 0.1875″ between louvers
  • Fixed 17° angle – do not rotate
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section
  • Adds $25 per shutter
• 

  Louvers Down

  Louvers can positioned in a down position.
  This position is recommended.

• 

  Louvers Up

  Louvers can positioned in a up position.

• 

  Faux Tilt Bar

  A tilt bar is a narrow vertical wood rod that interconnects a group of horizontal louvers. A tilt bar used in conjunction with movable louvers unifies the slats and allows them to rotate at one time. Louvers on ShutterLand premium wood louvers are fixed in position and do not rotate. A faux tilt bar can be attached to replicate the appearance of movable louvers, usually for historical purposes. Selection of a tilt bar adds $40 to the price of each shutter.

  Most exterior shutter applications do not require a tilt bar.

• 

  Faux Tilt Bar

  A tilt bar is a narrow vertical wood rod that interconnects a group of horizontal louvers. A tilt bar used in conjunction with movable louvers unifies the slats and allows them to rotate at one time. Louvers on ShutterLand composite louvers are fixed in position and do not rotate. A faux tilt bar can be attached to replicate the appearance of movable louvers, usually for historical purposes. Selection of a tilt bar adds $40 to the price of each shutter.

  Most exterior shutter applications do not require a tilt bar.

• 

  1.75" Composite Louvers (Standard)

  • 1.75″ visible surface area (see illustration)
  • Length 5″ less than shutter width
  • Louver sections made in one-piece (not separate, individual louvers)
  • No space between louvers
  • Fixed down at 10° angle
• 

  1" Composite Louvers

  • 1″ visible surface area (see illustration)
  • Length 5″ less than shutter width
  • Louver sections made in one-piece (not separate, individual louvers)
  • No space between louvers
  • Fixed down at 20° angle
  • Adds $15 per shutter
• 

  Louvers Down

  Louvers can positioned in a down position.

  This position is recommended because the louvers shed moisture.

• 

  Louvers Up

  Louvers can positioned in a up position. This is not a standard option and can ordered only by special request.

  Up oriented louvers are not recommend because there is no space between the louvers resulting in a potential for water to reside in the grooves which may shorten the lifespan of the shutters.

• 

  Faux Tilt Bar

  A tilt bar is a narrow vertical wood rod that interconnects a group of horizontal louvers. A tilt bar used in conjunction with movable louvers unifies the slats and allows them to rotate at one time. Louvers on ShutterLand composite louvers are fixed in position and do not rotate. A faux tilt bar can be attached to replicate the appearance of movable louvers, usually for historical purposes. Selection of a tilt bar adds $40 to the price of each shutter.

  Most exterior shutter applications do not require a tilt bar.

• 

  No Divider Rail

  • Configuration allowable when the shutter is shorter than 70″
  • The “No” divider rail button becomes unavailable on the order page when height is greater than or equal to 70″
• 

  One Divider Rail

  • Measure from the bottom of the shutter to the desired center of the divider rail
  • Optional when the shutter is shorter than 70″
  • Required if height is greater than or equal to 70″
  • Divider rail size is displayed under “Specifications” on the main order page
• 

  Two Divider Rails

  • Measure from the bottom of the shutter to the desired center of the first divider rail
  • Then, measure from the bottom of the shutter to the desired center of the second divider rail
  • Divider rail size is displayed under “Specifications” on the main order page

• 

  No Divider Rail

  • Configuration allowable when the shutter is shorter than 70″
  • The “No” divider rail button becomes unavailable on the order page when height is greater than or equal to 70″
• 

  One Divider Rail

  • Measure from the bottom of the shutter to the desired center of the divider rail
  • Optional when the shutter is shorter than 70″
  • Required if height is greater than or equal to 70″
  • Divider rail size is displayed under “Specifications” on the main order page
• 

  Two Divider Rails

  • Measure from the bottom of the shutter to the desired center of the first divider rail
  • Then, measure from the bottom of the shutter to the desired center of the second divider rail
  • Divider rail size is displayed under “Specifications” on the main order page

• 

  No Divider Rail

  • Configuration allowable when the shutter is shorter than 70″
  • The “No” divider rail button becomes unavailable on the order page when height is greater than or equal to 70″
• 

  One Divider Rail

  • Measure from the bottom of the shutter to the desired center of the divider rail
  • Optional when the shutter is shorter than 70″
  • Required if height is greater than or equal to 70″
  • Divider rail size is displayed under “Specifications” on the main order page
• 

  Two Divider Rails

  • Measure from the bottom of the shutter to the desired center of the first divider rail
  • Then, measure from the bottom of the shutter to the desired center of the second divider rail
  • Divider rail size is displayed under “Specifications” on the main order page

• 

  Red Grandis

  Red Grandis is a nearly perfect high quality hardwood to manufacture exceptional exterior shutters. It has straight tight grain and minimal knotting, resulting in a consistently smooth texture. The fibers are relatively uniform in color with variations from light pink to dark red, and accept paint or stain well. Red Grandis is dimensionally stable and extremely strong. Paneled area is composite (see below).

• 

  Cedar

  Cedar is the most common and recognizable tree species for the construction of outdoor shutters. This aromatic timber is resistant to both insects and decay. Cedar has condensed grain with few knots, resulting in straight handsome shutters with tones of red, brown, and tan. Cedar paints and stain well. Paneled area is composite (see below).

• 

  Mahogany

  Mahogany has a compact grain with a rich, warm, reddish-brown hue. Mahogany shutters are strong, sturdy, and moisture resistant. Mahogany is relatively easy to finish and is heavier than other woods offered. Paneled area is composite (see below).

• 

  Composite Solid Panel

  The central solid panel is fabricated from Extira, a composite material manufactured from sustainable wood fibers and marine-grade resins. Extira is designed for outdoor applications where humidity and moisture varies. It is strong, resilient and holds its shape in all weather conditions.

• 

  Southern Yellow Pine

  Southern Yellow Pine is the most affordable solid wood option. This wood has a beautiful golden color with a distinct wood grain pattern that is 99.9% knot free.  It is kiln-dried to minimum moisture content and cut to 1″ thick shutters. The joints between stiles and rails are glued, doweled, and screwed for ultimate strength. Paneled area is composite (see below).

  Southern Yellow Pine shutters are considered entry-level, or builder grade, with lower performance standards compared to 1.5″ thick premium wood shutters.

• 

  Composite Solid Panel

  The central solid panel is fabricated from Extira, a composite material manufactured from sustainable wood fibers and marine-grade resins. Extira is designed for outdoor applications where humidity and moisture varies. It is strong, resilient and holds its shape in all weather conditions.

• 

  1.75" Louvers (Standard)

  • 1.75″ wide
  • 0.25″ thick
  • Length 4.25″ less than shutter width
  • Spaced on 1.75″ centers
  • 0.1875″ between louvers
  • Fixed 17° angle – do not rotate
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section
• 

  1.5" Louvers

  • 1.5″ wide
  • 0.25″ thick
  • Length 4.25″ less than shutter width
  • Spaced on 1.5″ centers
  • 0.1875″ between louvers
  • Fixed 17° angle – do not rotate
  • Number of louvers determined by shutter height
    Return to order page to calculate in “Specifications” section
  • Adds $25 per shutter

• 

  No Divider Rail

  • Configuration allowable when the shutter is shorter than 70″
  • The “No” divider rail button becomes unavailable on the order page when height is greater than or equal to 70″
• 

  One Divider Rail

  • Measure from the bottom of the shutter to the desired center of the divider rail*
  • Optional when the shutter is shorter than 70″
  • Required if height is greater than or equal to 70″
  • Divider rail size is displayed under “Specifications” on the main order page

  * The actual location of the divider rail may be slightly higher or lower than requested. The number of louvers will dictate the final placement.

• 

  Two Divider Rails

  • Measure from the bottom of the shutter to the desired center of the first divider rail*
  • Then, measure from the bottom of the shutter to the desired center of the second divider rail*
  • Divider rail size is displayed under “Specifications” on the main order page

  * The actual location of the divider rails may be slightly higher or lower than requested. The number of louvers will dictate the final placement.

• 

  Straight Top

  Straight top shutters have a standard horizontal top.

• 

  Arch Top 1:1 Drop

  The arch of a 1:1 drop is equal to the width. So, the measurement from the top of the shutter down to the start of the arch is the same as the shutter width.

  A pair of arch top shutters includes one shutter with the arch on the left side and one with the arch on the right.

• 

  Arch Top Custom Drop

  A custom arch requires a springline measurement.

  Springline – the dimension from the top of the shutter down to the start of the arch.

  A pair of arch top shutters includes one shutter with the arch on the left side and one with the arch on the right.

• 

  Flat Panel

  Flat panel shutters are constructed with a central even surface with no detail.

• 

  Grooved Shaker Panel

  Shaker panel shutters are fabricated with vertical grooves cut into the central surface. The number of  grooves is based on the shutter width.

  Vertical grooves:
  2 grooves for shutter widths 12” to 17 ¾”
  3 grooves for shutter widths 18” to 23 ¾”
  4 grooves for shutter widths 24” to 31 ¾”
  5 grooves for shutter widths 32” to 39 ¾”
  6 grooves for shutter widths 40” to 45”

Production Time of Vinyl Shutters

ShutterLand Reviews

Oversize Shipping for Wood Shutters

Production Time of Wood Shutters

Production Time of Composite Shutters

Production Time of Pine Shutters

Oversize Shipping for Vinyl Shutters

Oversize Shipping for Vinyl Board & Batten Shutters

Bahama Shutters Free Shipping

Oversize Shipping for Composite Shutters

Production Time of Composite Shutters

• 

  Louvers
• 

  Raised Panel
• 

  Grooved (Shaker) Panel
• 

  Flat Panel